In academic and administrative frameworks that have special interest to produce the history as well as documentation of land holding in the imagination of the Khandesh region, this paper examines the following.ДЄs noted by Arvind Deshpande, in his book, The notion of region plays an important role in the construction of historiography of socio-cultural politics. Key Words: Cinema, Politics, Regional Studies, Music, Identity, Occupation, Jugaad, Caste, Folksongs, Entertainment, Innovations.ДЄny space to relocate its politics needs its historiography. IlaiahвЂ™s (2004) idea of вЂspiritual fascismвЂ™ rings true, with the elite occluding the power that the innovators produced for the cultural enterprise called Khandeshi Cinema. Yet, their innovative and creative abilities have been negated. That a Khandeshi cinema exists as an enterprise and a culture is due to them. Dalit-Bahujans have been producing the вЂscreenвЂ™ with the dint of their skills and innovations. The innovators of Khandeshi cinema played important roles on and off screen. The innovative potential of Jugaad and its social relevance given that the (power) structure and the social relations of the society are perpetuated by peopleвЂ™s occupations, is put to test. In spite of the innovations brought to Khandeshi cinema by the ex-untouchable castes, the caste practices and the caste status of these communities persists, begging the question. The problem in this case is caste and its attendant set of issues. Within the framework of a historiography of Khandeshi cinema, problems have inspired innovative responses even as new ways to hack the system emerged. I argue that there is more to Jugaad than вЂsolving and fixing a problemвЂ™. Invoking RaiвЂ™s (2013) use of the term, I examine its relevance to the field in Khandesh Cinema. In this context, the process of constituting a screen is itself valuable, culturally empowering and an instance of Jugaad. This product uses the TMDb API but is not endorsed or certified by TMDb.Д¬opyright of all material belongs to their respective original owners.This paper is based on fieldwork in the Khandesh region in Maharashtra on the idea of cinema and its production practices, the occupational identities resulting thereof and the struggle for the development of a вЂscreenвЂ™ for the practice of cinema. The service we provide is similar to the service provided by search engines We link to legal streaming services and help you discover the best legal streaming content online.

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